Books, Publications & Talks
BOOKS
Eglinton, K.A. (2013). Youth Identities, Localities, and Visual Material Culture: Making selves, making worlds. Dordrecht: Springer.
Eglinton, K.A. (2003). Art in the Early Years. London: Routledge.
BOOK CHAPTERS
Wexler, L. & Eglinton, K.A. (2015). ‘Reconsidering youth well-being as fluid and relational: A dynamic process at the intersection of their physical and social geographies’. In J. Wyn & H. Cahill (Eds.), Handbook of Children and Youth Studies. Dordrecht: Springer.
Hickman, R. & Eglinton, K.A. (2015). ‘Visual art in the curriculum’. In M.Fleming, L.Bresler and J. O’Toole (Eds.), The Routledge International Handbook of Arts and Education. New York: Routledge.
Eglinton, K.A. (2008). ’Using participatory visual ethnography to explore young people’s use of visual material culture in place and space’. In R. Hickman (Ed.), Research in Art and Design Education: Issues and exemplars, (Chapter 4). Bristol: Intellect.
PEER REVIEWED JOURNAL ARTICLES
Eglinton, K.A., Gubruim, A., and Wexler, L. (2017). ‘Digital storytelling as arts-inspired inquiry for engaging, understanding, and supporting indigenous youth’. International Journal of Education and the Arts.
Wexler, L., Eglinton, K. A., & Gubruim, A. (2014). ‘Using digital stories to understand the lives of Alaska Native young people’. Youth & Society. 46(4).
Bidwell, N.J., S. Masbulele, Marsden, G., Tucker, W.D., Tshemese, M, Gaven, N, Ntlangano, Robinson, S, andEglinton, K, A., (2013). ‘Walking and the social life of solar charging in rural Africa’. ACM Trans. Comput.-Hum. Interact. 20, 4, Article 22
Eglinton, K.A. (2013). ‘Between the Personal and the professional: Ethical challenges when using visual ethnography to understand young people’s use of popular visual material culture’. Special issue ethics and youth research. Young: Nordic Journal of Youth Research.
Frohlich, D., Robinson, S., Eglinton, K.A., Jones, M., Vartiainen, E. (2012). ‘From cameraphone to mediaphone: Supporting creative media use in rural developing regions’. Mobile HCI
Eglinton, K. (2010). ‘“I got a lotta respect for him . . .”: Boys’ use of visual material culture to negotiate local masculinities’. Journal of Cultural Research in Art Education.
Hickman, R. & Eglinton, K.A., (2010). ‘Exploring the ways in which youth engage with visual material culture in their everyday lives: A Framework for inquiry’. Australian Art Education, 32(2).
Books, Publications & Talks*
Books
Reviews
Kristen Eglinton has produced a gripping book full of both theory and scintillating perceptions drawn from a beautifully crafted ethnography of youth culture in two contrasting locations, New York City and the Yukon Territory. Her central thesis that youth are active agents continuously constructing their worlds is born out by her highly reflexive accounts or stories. These have the quality of a novel in both their clarity of perception of what is going on but - and this is what is so exceptional about this book - with a vivid sense of her own presence and the impact that the situation has on her and her ability to perceive. At the end of the account readers will feel that they actually know the subjects well enough to recognise them in the streets and to take up Eglinton's conversations with them. This is an excellent model for reflexive anthropology and cultural studies.
Nick Stanley, Research Fellow Department of Africa, Oceania and the Americas, The British Museum, London
Seldom do you find a book on youth identities that manages to achieve theoretical sophistication, methodological innovation, empirical depth and analytical rigour. Youth identities, Localities, and Visual Material Culture: Making Selves, Making Worlds achieves all four with aplomb. Eglinton’s sensitive engagement with young people’s lived experience in the Yukon and New York City deepens our understanding of the ‘landscapes’ that shape young lives and the visual cultures these youth negotiate, produce and perform. It offers a too seldom explored analysis of the shifts that must necessarily occur if educators and youth practitioners are to be contextually relevant, and offers participatory visual ethnography as both methodological and pedagogical practice. Written with noticeable personal investment, relational sensitivity and intellectual clarity, Youth identities is an important book and the first extended critical analysis of the possibilities for bringing into educational spaces the cultural lives of young people.
Sharlene Swartz, Research Director, Human Sciences Research Council, South Africa and adjunct Associate Professor, Department of Sociology, University of Cape Town.
Visual material culture, if it is to have pedagogical significance, urgently needs to draw upon the knowledge created through Eglinton's ground breaking ethnographic enquiry. Theory, methodology and understanding are all advanced in a work that makes a compelling case for the development of an 'ethnographic pedagogy' that can do justice to youth identities by examining the unofficial curriculum rooted in local place. The unfolding story comes as a gift to a wide range of constituencies: those interested in identity politics and policy makers, youth studies scholars, arts educators, participant ethnographers, human geographers of space and place and even those concerned with art education as a radical form of visual culture. Eglinton's generosity of tone, elegance of writing, vivid analytical descriptions and incisive arguments will give much pleasure and much to think about.
John Finney, University of Cambridge
As educators in both schools and community programs, scholars of visual/material culture, and youth studies this groundbreaking and indispensable book provides a much needed understanding of how youth learn about and construct their identities in today’s global world. By bringing the voices of youth to the forefront Eglinton asks us to place youth at the center of pedagogical and theoretical discussions and rethink youth engagement as active, imaginative and transformative, always in relation to place as simultaneously local and global.
Dipti Desai, Associate Professor and Director of the Graduate Program in Art Education at New York University.
Eglinton’s remarkable account of the lives of young people in places as diverse as New York City and the Yukon is probably the most methodologically sound pieces of writing on the subject to date. Using ethnographic cases to illustrate how youth engage with visual material culture in particular socio-cultural contexts, she uses participatory ethnography to forefront youth voice. In doing so, she advocates a learnercentred pedagogical model which brings the cultural lives of young people into the classroom. This book is replete with valuable material that will not only give focus and direction for researchers and educators from a range of disciplines but also has the potential to enrich the lives of young people in the future.
Richard Hickman, University of Cambridge
This book provides an exceptionally lucid account of how young people living in two different socioeconomic spatial and cultural contexts use visual material culture to construct their place-based, racial and gender identities. Taking seriously the voices of young people and their visual productions, while maintaining sight of the wider multidisiplinary literature in the field of identity theory and research, Eglinton produces an insightful ethnographic text that illustrates good use, analysis and interpretation of visual data in social research. This book is a must read for those scholars interested in youth studies and in using participatory and visual methodologies in youth research.
Antonina Tereshchenko, University of Porto, Faculty of Psychology and Education Sciences
Reviews
Provides a wealth of suggestions for teachers on how to provide stimulating and worthwhile visual art lessons. Well worth having a copy in your setting. - Early Years Update
This book clearly shows the author's enthusiasm for and belief in art education of the highest quality. It provides a valuable resource for all who are involved in education young children through art, explaining the 'why' behind the 'how' in easily understandable terms. - Child Education
An informative volume that can be used by the classroom practitioner in a wide variety of early years settings. It would also be a welcome addition to a teacher educator's professional library, because the theoretical constructs, definitions and rationales it contains support the practical information. - International Journal of Early Years Education
Book Chapters
Wexler, L. & Eglinton, K.A. (2015). ‘Reconsidering youth well-being as fluid and relational: A dynamic process at the intersection of their physical and social geographies’. In J. Wyn & H. Cahill (Eds.), Handbook of Children and Youth Studies. Dordrecht: Springer.
Hickman, R. & Eglinton, K.A. (2015). ‘Visual art in the curriculum’. In M.Fleming, L.Bresler and J. O’Toole (Eds.), The Routledge International Handbook of Arts and Education. New York: Routledge.
Eglinton, K.A. (2008). ’Using participatory visual ethnography to explore young people’s use of visual material culture in place and space’. In R. Hickman (Ed.), Research in Art and Design Education: Issues and exemplars, (Chapter 4). Bristol: Intellect.
Peer Reviewed Journal Articles
Eglinton, K.A., Gubruim, A., and Wexler, L. (2017). ‘Digital storytelling as arts-inspired inquiry for engaging, understanding, and supporting indigenous youth’. International Journal of Education and the Arts.
Wexler, L., Eglinton, K.A., & Gubruim, A. (2014). ‘Using digital stories to understand the lives of Alaska Native young people’. Youth & Society. 46(4).
Bidwell, N.J., S. Masbulele, Marsden, G., Tucker, W.D., Tshemese, M, Gaven, N, Ntlangano, Robinson, S, and Eglinton, K, A., (2013). ‘Walking and the social life of solar charging in rural Africa’. ACM Trans. Comput.-Hum. Interact. 20, 4, Article 22
Eglinton, K.A. (2013). ‘Between the Personal and the professional: Ethical challenges when using visual ethnography to understand young people’s use of popular visual material culture’. Special issue ethics and youth research. Young: Nordic Journal of Youth Research.
Frohlich, D., Robinson, S., Eglinton, K.A., Jones, M., Vartiainen, E. (2012). ‘From cameraphone to mediaphone: Supporting creative media use in rural developing regions’. Mobile HCI
Eglinton, K. (2010). ‘“I got a lotta respect for him . . .”: Boys’ use of visual material culture to negotiate local masculinities’. Journal of Cultural Research in Art Education.
Hickman, R. & Eglinton, K.A., (2010). ‘Exploring the ways in which youth engage with visual material culture in their everyday lives: A Framework for inquiry’. Australian Art Education, 32(2).
Select Conferences and Invited Papers**
Eglinton, K.A. (2016) Invited Speaker National Academies of Sciences, Engineering, and Medicine. Utilizing Technology and the Sustainable Development Goals to Amplify Youth Voices Globally and Ignite Change. Forum on Global Violence Prevention, Identifying the Role of Violence and its Prevention in the Post-2015 Global Agenda; For Footage Foundation.
Eglinton, K.A. (2013). Multimedia Ethnography. Qualitatve Methods Center Abt Associates. Bethesda, MD.
Eglinton, K.A. (2013). New Media as Method. British Educational Research Association annual meeting. University of Sussex, United Kingdom
Robinson, S., Frohlich, D., Eglinton, K.A., Jones, M., Marshall, J., Stringer, A., Langhein, K., 2012. ‘Com-Me Community Media Toolkit’. Third Annual Digital Economy All Hands Conference – Digital Futures 2012. Aberdeen.
Eglinton, K.A. (2012) On discussion panel for ‘Community Media for Everyone’. Toolkit launch for two digital toolkits. Royal Geographical Society, London.
Eglinton, K.A. (2011). ‘Using visual and digital methods to understand young people’s local identities’. Invited Speaker. Human Sciences Research Council, Cape Town, South Africa.
Eglinton, K.A. (2011). ‘Between the personal and the professional: ethical dilemmas when using visual ethnography to understand young people’s use of popular visual material culture’. In Youth Studies symposium: Beyond Schooling. British Educational Research Association annual meeting. London, United Kingdom.
Eglinton, K.A. (2011). ‘Visual ethnography and youth engagement with ‘visual material culture’: Explorations and Possibilities’. Invited Speaker. University of Porto, Faculty of Psychology and Education Sciences, Centre for Research and Intervention in Education.
Eglinton, K.A. (2010). ‘Using Multi-sited Ethnography to Explore Youth Racial Identities from Popular Culture’. In paper session: Critical Approaches to Race, Ethnicity, and Indigeneity in Curriculum Research: Problems of Identification and Methodology. Challenging Methodological Boundaries in Research. American Educational Research Association annual meeting. Denver, United States.
Eglinton, K.A. (2010). ‘Understanding Place, Race, and Youth Identities in Northern Canada Using Participatory Visual Ethnography’. In roundtable session: Place, Race, Whiteness, and Indigenous Communities. Indigenous Peoples of the Americas. American Educational Research Association annual meeting. Denver, United States.
Eglinton, K.A. (2009). ‘Boys of the Yukon’ and other stories: The Power of participatory filmmaking as a means of examining youth identity production from popular culture’. In paper session: The end(s) of the world: Youth in global contexts. American Anthropological Association annual meeting. Philadelphia, United States.
Eglinton, K.A., & Tereshchenko, A (2007). ‘Highlighting place and space in educational youth research’. Third International Conference on Interdisciplinary Social Sciences, Monash University Centre, Tuscany, Italy.
Eglinton, K.A. (2007). ‘Untangling the visual: Using visual ethnography to understand youth engagement with visual material culture’ in co-developed session ‘Place and space in educational research’. with Antonina Tereshchenko. University of Cambridge, Faculty of Education, United Kingdom.
*Research reports for consulting clients not listed here. Available upon permission.
** Select conferences only since 2007